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Every Man Dies Alone: A Novel, by Hans Fallada
Get Free Ebook Every Man Dies Alone: A Novel, by Hans Fallada
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Review
Now a Major Motion Picture - ALONE IN BERLINA New York Times Book Review Notable Book of the Year “The greatest book ever written about the German resistance to the Nazis.” —Primo Levi“One of the most extraordinary and compelling novels ever written about World War II. Ever.... Please, do not miss this.” —Alan Furst"It has something of the horror of Conrad, the madness of Dostoyevsky and the chilling menace of Capote’s In Cold Blood.... In the quiet Quangels, Fallada has created an immortal symbol of those who fight back against 'the vile beyond all vileness' and so redeem us all." —Roger Cohen, The New York Times “An unrivalled and vivid portrait of life in wartime Berlin.” —Philip Kerr, author of the "Berlin Noir" novels “Has the suspense of a John le Carré novel … visceral, chilling.” —The New Yorker “One of the most extraordinarily ambitious literary resurrections in recent memory.” —The Los Angeles Times “A one-of-a-kind novel … Fallada can be seen as a hero, a writer-hero who survived just long enough to strike back at his oppressors.” —The Globe and Mail “Stunningly vivid characters … gets you inside Nazi Germany like no other novel.” —The San Francisco Chronicle “Essential, thrilling.” —The St. Petersburg Times “This is a novel that is so powerful, so intense, that it almost hums with electricity." —Minneapolis Star-Tribune
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About the Author
Before WWII , German writer Hans Fallada’s novels were international bestsellers, on a par with those of his countrymen Thomas Mann and Herman Hesse. In America, Hollywood even turned his first big novel, Little Man, What Now? into a major motion picture.Learning the movie was made by a Jewish producer, however, Hitler decreed Fallada’s work could no longer be sold outside Germany, and the rising Nazis began to pay him closer attention. When he refused to join the Nazi party he was arrested by the Gestapo—who eventually released him, but thereafter regularly summoned him for “discussions” of his work.However, unlike Mann, Hesse, and others, Fallada refused to flee to safety, even when his British publisher, George Putnam, sent a private boat to rescue him. The pressure took its toll on Fallada, and he resorted increasingly to drugs and alcohol for relief. After Goebbels ordered him to write an anti-Semitic novel, he snapped and found himself imprisoned in an asylum for the “criminally insane”—considered a death sentence under Nazi rule. To forestall the inevitable, he pretended to write the assignment for Goebbels, while actually composing three encrypted books—including his tour de force novel The Drinker—in such dense code that they were not deciphered until long after his death.Fallada outlasted the Reich and was freed at war’s end. But he was a shattered man. To help him recover by putting him to work, Fallada’s publisher gave him the Gestapo file of a simple, working-class couple who had resisted the Nazis. Inspired, Fallada completed Every Man Dies Alone in just twenty-four days.He died in February 1947, just weeks before the book’s publication.
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Product details
Paperback: 544 pages
Publisher: Melville House; 1 edition (March 30, 2010)
Language: English
ISBN-10: 9781935554042
ISBN-13: 978-1935554042
ASIN: 1935554042
Product Dimensions:
5.5 x 1.4 x 8.3 inches
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
299 customer reviews
Amazon Best Sellers Rank:
#134,155 in Books (See Top 100 in Books)
I can’t remember having read anything more compelling in my life. This is the perfect novel. The plot weaves the experiences of a variety of characters to provide a disturbingly accurate depiction of life in a totalitarian state.The two primary characters, Otto and Anna Quangel, receive a letter informing them that their son, a soldier in the German Wehrmacht, has been killed in the invasion of France. The Quangels later decide to engage in a secret plan to inform Germans about the reality of Nazism—leaving anonymous messages on postcards in places throughout Berlin—a decision that sets off a series of events and an intense manhunt that demonstrates what life was really like in the Third Reich. The characters include neighbors like a distraught Jewish woman, a retired prosecutor, a family of hard-core Nazis, a small time criminal informer and his sometime accomplice. Others range from a somewhat sympathetic Gestapo investigator, a prison chaplain based on the Tegel prison pastor Harald Poelchau and a Nazi judge, Feisler, based on the notorious Roland Freisler.Hans Fallada (pseudonym of Rudolf Ditzen) was a troubled writer who remained in Germany during the Third Reich—a decision that was condemned by Thomas Mann. But his story is so believable because only one who lived through the day-to-day reality of Nazi Germany could have described the incongruities and gray areas that everyone experienced. The moral of the story is that resistance, whatever its form, preserves that dignity and worth of humanity in an inhuman world.Fallada’s story is loosely based on a real-life couple. He wrote the book in less than four weeks in November 1946. He died as a result of various addictions on February 5, 1947. This edition, which restored a number of edits from the original published edition, came out 60 years later. Although we Americans are prone to hyperbole and love to rank everything, I won’t write that it was best book I’ve ever read. But I do have a hard time naming any that are its equal. Five stars don’t seem adequate for this truly majestic, humanistic novel.
The most remarkable book ever written about life in the Third Reich. Not only does it transport the reader into that pit of inconceivable oppression, but it celebrates the courage of "average" people to put their life on the line to affirm their disgust, even in very small and ultimately futile ways. You can read all the good historical works about nazism and watch every documentary but will not begin to comprehend the sickness of the regime until reading Every Man Dies Alone.
I can't explain even to myself why I didn't enjoy this novel. It has all the makings of an important, gripping story: Based on true events. Written in clear language by someone who actually lived through it. A detailed peek into the daily lives of average working class people in Berlin during the war. An otherwise banal couple eluding the Gestapo for two years! A fine portrayal of the detection process, followed by courtroom drama. Then why did I have to force myself to read?As stated in the Afterword, there are many books which portray "the banality of evil", examining how otherwise normal people are sucked in to doing unimaginably horrible things; whereas this novel is all about "the banality of good". The main character of Otto Quangel is as banal a character as one can ever expect to find. The detailed exploration of the motives and actions of someone who does the same thing over and over, never really changing in any significant way, while remaining a wholly irritating personality throughout, does not make for gripping reading. This is almost made up for by the same detailed exploration of his Gestapo pursuer, because at least those sections of the book raise interesting questions and contradictions. Almost. By the end of the 500+ pages I was just as exasperated by Otto and Anna Quangel as the "bad guys" were, and was almost relieved when (view spoiler)My German is pretty good, but not good enough to endure a book like this from beginning to end. But comparing the first chapter in the original to the English translation gave me faith that the translation is quite good. So I can't blame the translation for my diminished appreciation of this novel.This remains an important novel, inspired by real people and events, written by someone who was actually there at the time. But alas, for me it's yet another book to admire far more than I enjoyed.
Gripping and well-written considering that it was penned by a war-ravaged author in just 24 days! Fallada wrote the book following a stint in a Nazi insane asylum for drug and alcohol abuse and just before his death in 1947. The narrative is loosely based on a true story and tells the story of a group of neighbors living in Berlin during WWII. After losing a son in the war, the main characters, Otto and Anna Quangel, begin a quiet rebellion by leaving handwritten postcards with anti-Nazi messages throughout the city. They are pursued by Gestapo Investigator for more than two years. The stories of the neighbors, who include an older Jewish woman, a reited judge, a pro-Nazi family, a postal woman, and a slime ball hustler and his promiscuous wife, are woven together to provide a sense of working-class life in Berlin under the Nazi regime. The author's poignant depiction of the constant fear, distrust, and intimidation among ordinary German citizens (not just those who were being overtly persecuted) put me on edge and served as a stark reminder of how terrible life in Berlin was less than a cenury ago. This book is focus on everyday people doing everyday things trying to survive in whatever way they can.
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